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in this post, im not gonna go on about why chapin is so classy; suffice it to say, id make a long, effective, poignant case. i am simply going to trumpet the above-mentioned track, as evidence that chapin was a master live performer/expert songwriter. i recommend listening to the song itself (again, via the link), but the following transcript of the first minute of it proves my pt. i dont know when/where the concert was, but it doesnt really matter; the scene is timeless, universally emotive:
we hear the sound of in-between-songs applause at a concert, then a couple of guitar-tuning chords, indicating a song is about to begin.
male voice from the crowd: do it for nancy!
harry chapin: oh? for nancy?
multiple voices: yeah!
harry chapin: this is for nancy...i never did it to nancy, so i'll do it for her.
raucous laughing and applause.
harry chapin: a-one, a-two - chuckling - a-one, two, three, four...
his rejoinder was so off-the-cuff, chapin himself couldn't stifle a laugh. and you can hear how much the audience loves him. and then the song begins with such effortless chords, and the opening lyrics are so great:
I come fresh from the street, fast on my feet
Kinda crass and corny
Not much meat on my bones, and a whole lot alone
And more than a little bit horny
The old six-string was all I had
To keep my belly still
And for each full hour lesson I gave
I got a crisp ten dollar bill
every time i hear that sequence, no matter where i am in my life, it gets me psyched. chapin really was a novelist wrapped in a musician's soul.
here's to people who inspire.
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