blue basilica
~ as if truth were a secret in such low solution that only immensity can give us a sensible taste ~
Wednesday, October 31, 2007
rankings 2.
top five rock songs with the name of a weekday in the title:
5. monday, monday, the mamas & the papas
4. saturday night's alright (for fighting), elton john
3. manic monday, the bangles (written by prince, btw)
1. tuesday's gone, lynyrd skynyrd
1. sunday bloody sunday, u2 (tie)
† dishonorable mention to the cure's friday im in love, and david bowie's thursday's child, which are both sh*tty. especially for bowie. but especially for the cure.
†† it's weird that the mamas/papas and skynyrd have shown up on both this list and the states list.
††† it's also weird that i ended up using a sign language graphic in a post about music. kind of.
Wednesday, October 24, 2007
the foosball garden.
this is just an artist's representation, on astor place. in paradise, they have the real thing. first one to a full-blown deciduous tree wins; evergreens are considered too easy, and earn you a disqualification.
word is, jesus once kept the table for three straight decades, knocking back thousands of shots of ambrosia in the process, until teddy roosevelt pulled off a tremendous upset with an oak tree that actually set a high score. at the time.
Tuesday, October 23, 2007
rankings 1.
top five rock songs with the name of a state in the title:
5. alabama, neil young
4. sweet home alabama, lynyrd skynyrd
3. ohio, crosby, stills, nash & young
2. going to california, led zeppelin
1. california dreamin, the mamas & the papas
† songs like new york state of mind were ineligible if it was assumed that they referred to a city, rather than a state. (ironic in that case, considering the song's title actually contains the word 'state.')
†† songs like carolina in my mind were ruled out because they didnt specify a carolina.
††† sufjan stevens songs were ineligible just b/c that's too easy.
Monday, October 22, 2007
my life: chapter one.
the reality is that proust can shove his madeleine up his derriere. my maz didnt serve me tea, nor the plump little cookies the frogs call madeleines.
maz served sissy and me cinnamon toast, with a side of guilt. papa played cy coleman records in the background and wrote his equations on the living room walls in purple chalk. we slurped our milk in silence.
the cat, whom we named cocoa for a reason that shouldnt have to be explained, was beautiful, half-siamese, half-tabby, but fond of scratching people. the latter quality won out, in maz's eyes. so we gave cocoa away. or at least they did, while i was at camp. i was notified in the mail. that's how people used to be notified of things.
we grew up fast. across 110th street is a hell of a tester.
nostalgia aint what it used to be.
those were the days. you cant really do anything like that over email, sadly.
Friday, October 19, 2007
Thursday, October 18, 2007
on golf.
'of course, if she wanted to start something new, id understand,' harold admits sadly. 'time's winged chariot and all that. when i was her age, i got it into my head somehow i was going to die. i played golf every day all summer, convinced every round would be my last. cost a fortune.'
'and here you are.'
he nods. 'cured my slice, though. you should come out with marjory and me sometime.' his wife, by coincidence, is jacob rose's secretary.
'maybe this summer.'
'all in your head, golf,' harold muses. 'a thousand and one contingencies.'
'im looking for a game with just one contingency,' i tell him. 'two at the most.'
-richard russo, straight man
there, hugo again.
what i said at the time: i distinctly remember that the comic portrayed [the joker's] address with a montage of close-ups of the joker making a series of gesticulations and exaggerated facial expressions that was eerily similar to the times montage of chavez.
well, wouldnt you know it, i finally chanced upon said comic. (i hadnt been able to find it at home.) and it looks like the archives in my mind arent so crazy after all. at least not on account of that post:
from the times: hugo chavez addressing the u.n., sept. 20, 2006
(click on image to see larger side-by-side comparison in new window)
home shopping hilarity.
have you ever even seen a horse?
painful slapstick i:
painful slapstick ii:
painful slapstick iii:
Wednesday, October 17, 2007
tramps like us.
i happen to know koko is not a fan, one of his reasons being that bruce is known as the boss. koko thinks that nickname to be obnoxious.
well, lemme tell you someting, pendejo. anytime you can play to a packed-to-the-gills madison square garden, and during your set the people in the crowd are high-fiving each other more than ive seen at a knick's game in years for cryin out loud, and for one of your encores you play a song, born to run, which is older than i am, and whose lyrics are impossible to know without studying the liner notes, and the whole effing house is singing along word for word, and again, the song is older than i am and who has a career that long for f*ck's sake, and it's not just that people are dancing in the aisles while you play, it's the way theyre dancing, like theyre in a black church, and youre drenched in sweat and you truly look like a man possessed up there on the stage, and it seems like you wrote the word 'town' into every song but theyre all still their own novels, and your heroines are all named wendy and terry but each of them sounds like a juliet, and you wrote backstreets you bastard, and do you yourself even realize the energy you generate in people, and theres something about you that sounds so classic it's almost cliche until it's realized that you created and are the very embodiment of that sound and youre almost a caricature of yourself but you exude such purpose that you do more than pull it off, you give them all a shot of adrenaline like they dont get anywhere else, and i cant explain it but something about the way you sound tastes like america to me, and youre feeding my soul something hearty, and going to your show always confirms what i suspect from listening to your recordings, that youre more visceral than audible, well, youve earned the title the boss, and that's that.
Monday, October 15, 2007
it's card to be a saint in the city.
i guess the concrete peninsula scene makes some kind of sense b.c presumably, someone ('cheef' flaco?) had to choose a stock image representing 'paradise.' but the last supper scene is inexplicable. (though it does shed some light on the 'judas chimichangas' on the menu.)
Sunday, October 14, 2007
jordin.
always weird when that happens, when youre in the presence of someone's doppelgänger . you almost feel like youre actually with the real person. at least i do. i guess i was using the royal 'you.' you know, the editorial...
Friday, October 12, 2007
well well well.
the basilica has thus far resisted endorsing a candidate for prez for many reasons, and one of them is indeed the possibility that gore might throw his hat in the ring. even if he does, i still think it will be hard to pick him over a possible first female or first black prez, but the pt is id have to give him some consideration. so until he flatly comes out and says IM NOT RUNNING, i gotta hold off.
personally, i feel that since gore's already won an oscar and the nobel, homeslice might as well go for the trifecta.
Thursday, October 11, 2007
drive my card.
Wednesday, October 10, 2007
anchors in the infinite.
The annals say: when the monks of Clonmacnoise
Were all at prayers inside the oratory
A ship appeared above them in the air.
The anchor dragged along behind so deep
It hooked itself into the altar rails
-seamus heaney, Lightenings viii
well, actually, i believe there's a way. but it has much more to do with luck and timing than talent. (doesnt it always?)
this might not be the most original idea, but i havent heard anyone else say it, so what the hell:
i think people who either start or find themselves at the beginning of a genre or discipline will enjoy inexorably prominent places in history, for virtually all time.
for instance, let's take the subject at hand - hip-hop. grandmaster flash and the sugarhill gang were just two mc's, just like biggie (well, i guess they were actually one mc and a gang of them, respectively, but whatevah), and they were prolly not as talented as he. but, unlike biggie, they were there at the beginning of rap. and, no matter how many entries that hypothetical encyclopedia of hip-hop accumulates, no matter how it categorizes the evolution of rap, and its various and sundry subcategories, it will always have to have a section documenting the beginning of the genre. i mean, that's compulsory, n'est-ce pas? flash and sugarhill prolly arent as famous as biggie is now, but id venture to say that the longer hip-hop exists, the more the latter will be swallowed into the middle of its timeline, lumped with countless others, while the former two will always be anchored to the beginning of that timeline, anchored to prominence. perhaps this is because judging a rapper's talent is by nature subjective, but we can objectively say who was rapping first.
it's more obvious in other areas. the presidency, for instance. as long as there's a u.s. of a, the name george washington is gonna enjoy some notoriety. yeah, people are prolly always gonna remember yer lincolns and your roosevelts, but for each of those cats, there's five millard fillmores. im sure in his day, mill-fill was up in the sauce as much as biggie ever was, and who remembers him now? but everyone remembers washington, and he was a goddamn slave owner! speaking of which, even lincoln's stature is more than anything a product of him happening to have been in office during a pivotal time. theoretically, if the u.s. lasted, say a thousand more years, lincoln could conceivably be forgotten, but washington never will be. (unless we change the name of washington, d.c. to lincoln, which is a topic for a whole other post ill never write.)
ike newton is gonna be remembered not b/c he had an iq that would make steve hawking punch 'im blushing' on his lil keyboard (im guessing on that; i couldnt think of anyone better to plug in there), but b/c he's the one who friggin discovered so many of the rules and theorems and whatnot that are used in physics and math. (and why do i cringe when i think of jph reading that?)
babe ruth's records will eventually all fall, but the fact that the bambino was the first baseball superstar will keep him around.
and speaking of people traipsing around in black and white, this whole deal is particularly stark when it comes to movies. brangelina, tom cruise, julia roberts, jack nicholson, the governator, dusty hoffman, theyre gonna fade. because as long as there are movies, most of them are gonna be in color, and eventually the color-era stars will all lump into each other, simply cuz there will be so many of them. but the silent and black-and-white era stars, theyre a different story. they comprise such a finite number, those doug fairbankses, chaz chaplins, gretta garbos, jimmy cagneys and joan crawfords. drew effing barrymore might be oodles more famous than bette davis right now, but three hundred years from now, there wont be a human being alive who's seen a drew barrymore flick (i hope), while you can be certain that at the very least, some film class somewhere, possibly on mars or the moon, will be watching jezebel.
Tuesday, October 09, 2007
Monday, October 08, 2007
this blog.
but that's not where it's at.
Wednesday, October 03, 2007
please please me.
or the past coupla weeks, steak& has enlisted my help in making her weekly nfl picks for her office pool. and guess what. i suck! i think ive singlehandedly kept her in last place. (at the very least, im part of the problem.) this has caused me to look back at my career of sports handicapping, and to realize that it's been spotty at best.
so, in order to make my 2007 mlb postseason picks, im changing tactics. dont ask me why i chose to do it this way, but ive used free association to link every playoff team to a beatles song (listed in parens), then ive chosen winners based on which beatles song should beat the other, regardless of team affiliation:
american league divisional series:
MATCHUP: yankees (dont let me down) vs. cleveland (why dont we do it in the road?)
ANALYSIS: my favorite team gets my favorite beatles song, which in this case also conveniently serves as a plea. the indians and their hilariously racist mascot get a song whose lyrics also sum up my feelings for the team. more specifically, i dont care if we play them at jacobs field, or at yankee stadium, or in the goddamn road. the pt is we can and should do this team; it doesnt matter who has home field advantage.
WINNER: yanks. dont let is a timeless classic. road is a virtual throw-away: one of many on the white album.
MATCHUP: los angeles (and your bird can sing) vs. boston (i want you [she's so heavy])
ANALYSIS: the angels, the one team that has a winning record against the yanks during the joe torre era, get the song lennon supposedly wrote out of resentment of dylan's ability to pass what lennon thought of as nonsensical lyrics off as inscrutable and poetic. i resent the angels (they beat us consistently, and their bird can sing...). the sawks get their tune for the same reason it could well go to my dear minka.
WINNER: red sox. no contest.
national league divisional series:
MATCHUP: chicago (magical mystery tour) vs. arizona (cry baby cry)
ANALYSIS: the cubbies are gonna find some magical and mysterious way to eff it all up. they always do. it's as simple as that. as for the the d-backs, i saw them play the yanks earlier this season, and i barely recognized a single player on the team. all i know is that they all looked quite young. they're a baby team.
WINNER: d-backs. a lot of people would categorize cry as i just categorized road. not me, though; i love the song.
MATCHUP: colorado (dig a pony) vs. philadelphia (getting better)
ANALYSIS: the rockies: a 'how did this song get on an album?' jam for a 'how did this team get in the playoffs?' team. the phils, quite simply, have been getting better for a while now.
WINNER: the phillies. a staple of sergeant pepper will beat a scrap from let it be any day of the week.
american league championship:
MATCHUP: yankees (dont let me down) vs. boston (i want you [she's so heavy])
ANALYSIS: a toughie. two of my fave beatles' songs of all time, and i believe they were both recorded during the abbey road sessions.
WINNER: the bombers. dont let me down is simply a better song.
national league championship:
MATCHUP: arizona (cry baby cry) vs. philadelphia (getting better)
ANALYSIS: another toughie. this is actually the first case where the song that i like better represents the team that i distinctly feel would lose the series. however, the whole pt of this thing is to go with the new system, not the old, failing one. so -
WINNER: d-backs. rare is the beatles fan, or maybe i should say person, who would choose cry over better. but what can i tells ya? im a rarity.
world series:
MATCHUP: yanks (dont let me down) vs. arizona (cry baby cry)
ANALYSIS: fittingly, the end of cry baby cry (penned by lennon) is a snippet of a mccartney song which repeats the refrain: can you take me back where i came from? can you take me back? (on the white album, the latter is simply piggybacked on the former. it's not massaged in, as if they were a medley or anything. i think it's supposed to serve as a lead-in to revolution 9.) this is fitting b/c the 01 series pitted these two teams against each other, with the d-backs becoming the team that finally took down the last yankee dynasty.
WINNER: yanks. most of the names and faces on both teams are different now (the d-backs might not even have a single hold-over; im not sure), but you know what they say, anyway. revenge is a dish best served cold. of course dont let me down beats cry baby cry.
you think that's too easy? hey - it's my system!